Fake watches: Moon. White. Black. The white moon in the black sky…
The white star in the black night sky has always seduced poets. Fascinating and mysterious, the dreamy whiteness of full moon nights casts a singular spell on our senses. Quite unlike the vibrant and relentless light of the sun, which reduces distinct shadows, the moon shines with a powdery, silvery white light. As the famous French poet Paul Verlaine says in his poem «The White Moon», his light «A vast and tender calm / seems to descend / from the firmament / that the star iridescent…! It is the exquisite hour!
BREAKING THE WHITE TABOO
In 2003, Chanel best-selling replica watches broke a taboo by introducing the color white to the world of watchmaking. After the black J12, which had already altered the aesthetic codes of watchmaking, the birth of the transgressive J12 in white shook the foundations of the industry. Against all expectations, the white J12 was an immediate success and received universal acclaim.
Made of an immaculate white in high-tech ceramic that is completely resistant to the vagaries of time, it has established itself as a new stylistic reference in watchmaking. White became one of the colors of the moment, and henceforth closely linked to the Chanel fake watches name.
It is perfectly legitimate that Chanel Perfect Fake Watches introduced a white like this, because, as Mademoiselle Chanel fake watches herself had already said, “white like black, has it all.”
Along with deep black, pure white is one of Chanel’s deepest genetic codes.
Because black and white, black and white, hits the heart of things, showing clear forms, whether it’s a tailor’s cut, the curve of a camellia, the speed of a comet, the earth on the moon, or the earth on a clock.
Since its birth in black in 2000, the high-tech ceramic J12, designed as a very elegant sports watch, has proven its ability to adapt to numerous different watchmaking designs, from the highest jewelery to the most “complicated” .
In 2004, Chanel fake watches presented the J12 Pièces d’Exception collection, characterized by limited editions set with the most beautiful baguette-cut precious stones. Black contrasted with the fire of rubies, with the ice of diamonds.
In 2005, the white J12 entered the field of high-end mechanical watchmaking with a ceramic self-winding tourbillon, a world first and a technological revolution.
In 2008, the J12 Caliber 3125 was equipped with an Audemars Piguet self-winding mechanical movement, exclusively customized for Chanel fake watches.
2009 saw the birth of the incredible J12 Noir Intense, in which Chanel set 724 high-tech black ceramic baguettes in its white gold case, cut and faceted like the most precious stones.
Then came the J12 Rétrograde Mysterieuse in 2010, a concentrate of innovations mixing complications with world firsts: tourbillon, digital minute dial, retrograde minute hand, 10-day power reserve, retractable vertical crown.
And in 2011, the J12 was for the first time neither black nor white, but in a new colour, hitherto unknown in watchmaking, the J12 Chromatic.
This colour, achieved by adding titanium to ceramic, like no other, has a particular soft shine that makes it unique.
Meanwhile there have been even more evolutions in the J12 line: the interplay of materials, with matte and shiny surfaces, with a touch of gold, set with stones. But also the interaction with the function with the J12 Chronograph, in black or white, which allows it to give full expression to its sportiness and show its resistance, the hardness of its materials and its great resistance to water. It has earned its stripes as a true instrument without losing any of its elegance. Then with the J12 GMT it became a traveler’s watch, juggling time zones. With a touch of deep blue on its unidirectional rotating bezel, the J12 Marine plunged you into the world of scuba escort şişli diving.
Born at the dawn of the century, the J12 has the ability to take on so many different identities without losing its stylistic punch or immediately recognizable look that it fully deserves its label as “the first watchmaking icon of the 21st century”. But the icon’s style isn’t set in stone, and his fortunes will continue on his hopeful journey.
THE J12 HAS A PIECE OF THE MOON
After transforming high-tech ceramics into a precious material, after tackling speed,
sailing, the sea, time zones, being set with diamonds and precious stones,
after housing some of the most amazing high-end complications,
the J12 now has a piece of the moon with the J12 Moonphase.
In the galaxy of watch complications, there is one that has a special appeal, especially for women: the moon phase. Symbolically associated with femininity, the moon phase is a watchmaking complication with an eminently poetic scope. However, your watch application is the result of intelligent calculations that convert your particular cycle into the movements of wheels and gears. Its synodic revolution, that is, the time interval it takes for the Moon to return to the same position with respect to the Sun and the Earth, is exactly 29 days, 12 hours, 44 minutes and 2.8 seconds.
Since this interval is not the same as the average length of a month,
the watchmaker has to use the reduction of a gear train in order to show the different stages of the lunar cycle:
new moon, first quarter, full moon , decreasing quarter.
Traditionally, watchmakers display this in a small disc with a full moon. This moon, revolving around its disk, alternately appears and disappears behind a window cut into the dial
(the shape of which is often reminiscent of a cloud), gradually revealing the progress of the lunar cycle.
The J12 Moonphase displays the moon phase in a completely different way. The four main stages of the lunar cycle are represented by small indicators – a white disc, two white crescents,
and a black disc – on a large, dark blue aventurine disc that shines like a starry sky. The phase of the moon is indicated by a thin serpentine hand made of polished steel,
which shows the interval between the different phases of the moon.
This poetic and dreamy indication of the moon phase,
at 6 o’clock on the dial, offers a new look at the iconic J12.
The large aventurine disk, framed in metal, is like a window to the sky.
The tips of the hands resemble a thin crescent moon, with another indication of the completion date, as a subtle reminder of astronomical coherence. This small crescent accentuates the date, which Chanel marks numerically on a scale on the dial flange.
In the center, the hours, minutes and seconds run as normal, and Chanel displays the numbers in dark blue. The seconds hand rotates around a fine rail-style minute track. All of these indications stand out against an open dial background
with alternating polished and guilloché patterns in the best horological tradition.
The new moon phase J12 comes in a 38mm high-tech ceramic case with a bracelet whose links,
made of the same ceramic, are individually manufactured and polished
and mounted at an angle to offer maximum flexibility and exceptional comfort. on the wrist. This bracelet is easily adjustable with a triple folding clasp.
SIX MOON VARIATIONS
The first models of the J12 Moonphase are available in six different versions,
from the most discreet to the most ostentatious. They are all equipped with a high-quality self-winding mechanical movement with a 42-hour power reserve.
The most classic of these models is a sober high-tech white ceramic piece
with a brushed opaline dial and moon phase aventurine disc,
water resistant to 100 metres. The second model in white, more ornate, has a bezel set with 54 diamonds (±1.42 carats)
and a guilloché opaline dial set with 63 diamonds (±0.34 carats) surrounding the aventurine disk,
making up the scale. of the minutes and acting as hour markers.
These two models are also available in high-tech black ceramic with a brushed black dial for the simpler version
and a guilloché black dial for the gem-set model as well as its white equivalent.
Two high jewelry models complete the range. The first is in 18-carat white gold and titanium ceramic in a limited edition of 12 pieces, with the bezel,
horns and outer links of the bracelet set with 554 baguette-cut diamonds (±30.19 carats). The second is a sumptuous model in a limited edition of five 18K white gold pieces
that is fully paved with 696 baguette-cut diamonds (±42.45 carats). So the exquisite hour can be even more so.